Post Production Effects

Shot Breakdown from the Reel

	FTD Flowers, Digital Domain Camera tracked every moving shot in this commercial so the TD's could add the advancing flowers. I used DD's Track4 for tracking, and Maya for scene construction.
	Dior, Creo Collective On set survey, and a small bit of tracking with boujou.
	Loony Toons: Back in Action, Digital Domain Camera tracked a lot of the action scenes involving cg elements such as the lab scene and others. I used DD's Track4 for tracking, and Maya for scene construction.
	Xelibri, Digital Domain Camera tracked and constructed basic 3d objects for every scene in this commercial so TD's could add in textured effects. I used DD's Track4 for tracking, and Maya for scene construction.
	ScanDisk, Creo Collective Modeled and textured the ScanDisk memory card and the Cell Phone along with a digital camera for another spot using both Lightwave and Photoshop.
	Dodge: Truck Ville, Digital Domain All these plates where shot in the desert with no city backgrounds of any kind. I camera tracked each scene, object tracked each truck, then matched 3d CAD truck objects with the live truck for every scene in this commercial. TD's then added in future city backgrounds and city reflections to the truck. I used DD's Track4 for tracking, and Maya for scene construction.
	Infinity, Notorious This project was unique in that all the footage came from a previous commercial that was shot without cg in mind. The original plates were snow covered and needed to be completely replaced. I tracked all of them using Boujou with no camera or survey info of any kind. I then object tracked the cars and added reflections of he new backgrounds. I also recreated the second car you see on the over pass with CAD objects from infinity and projection images from other footage using Lightwave and combustion.
	Chick-fil-A, Creo Collective Onset survey, and then scene reconstruction using Lightwave 7.0.
	Sony Dream, Creo Collective Camera tracked and object tracked all underwater scenes so cg fins could then be added to girl. This became a difficult shot because there was little or no survey or camera information from the shot. Because of this, I hand tracked camera move first and then used match mover for the object track of the girl.
	N.E.R.D., Creo Collective Camera tracked all shots involving cg background replacement using Boujou 2.1 and then reconstructed these scenes using Lightwave 7.0. I also helped the roto department with a few shots using combustion3.
	JayZ, Creo Collective Helped out the roto team with a lot of last minute roto work using Combustion3.
	Target, Creo Collective Created the previs using Lightwave and helped with onset survey.

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